We took a drive yesterday in the beautiful weather, heading over to Cornville to visit the fish hatchery. The water flowing out of the tanks and through the grate caught my eye.
Choices
November Blues
Lost
Unfocused
Backlit Black and White
Summer Hummer
Sand Abstract
Sand
Morning Abstract 2
Morning Abstract
The January theme for our photo club is ABSTRACT- which I always love doing. I was uninspired until I walked into my bedroom and noticed the shape of the plant ledge against the sloping ceiling. I did several multiple exposures which I layered to create what this piece. I’m not sure if this is the one I’ll use, but I had fun creating it.
Waiting for the White
Playing with Fingerpaint
I like to play with my camera- especially when I am a passenger in a car on a road trip. Besides taking standard photos through the window, I sometimes like to try to get some intentional camera movement shots, letting the car provide most of the movement.
The image below is of wild flowers with a forest background taken from the car when we were in Alaska. I kept coming back to the original shot because I liked the colors, and today I decided to play with it. I worked with it using TK actions to separate the tones a bit, added a gradient map with similar colors to the original and a gradient fill. It still needed something, so I took it into Topaz Impression with the thought of using a Monet filter. But I ended up liking what happened when I applied a fingerpaint filter- yes, I have spent my life working with young children! I experimented with blend modes and ended up with this:
I don’t think I’ll be framing this- but it was so much fun to work on.
Here is the original:
Palm Tree Play
I have always loved how palm trees line Benicia’s First Street and especially love how they look at night lit up with twinkly white lights. After photographing sunset there a couple weeks ago, I took a moment to take some photos looking up at the palm fronds.
The below image started as an in-camera multiple exposure- and then I went a little crazy . . .

















