I have been a collector of old school books most of my adult life- nothing valuable. When I was home raising kids and wasn’t teaching at that point, I bought old primers and readers at garage sales. Later, when I went back to teaching, I collected old readers that were being discarded and replaced by newer series. So I still have quite a few. I still love them and decided to photograph a stack today. After shooting several different arrangements, I stacked them the way that we teachers told kids NEVER to stack books! Maybe I am becoming a rule breaker in my old age!
Here’s another shot of the Wigwam Motel at night- this time with a black and white edit for a vintage look. It’s also missing the “car trails”- streaks from tail lights from passing cars- that were visible in yesterday’s image (and I kept in because I like them).
As you can probably tell, I found the Wigwam Motel totally captivating. I only wish that I had crossed the street and wandered around the grounds. It would probably not have been a good idea to do this at nighttime though. I think I need a return trip!
I was sitting at my computer one morning last week when I noticed the play of light and shadows on leaves in the front yard. I took a break from my work and captured this multiple exposure, which I thought looked even more interesting in black and white.
Shot with my Lensbaby Velvet 56
A multiple exposure flower abstract for Tuesday!
Taken at Willow Lake during the last snowstorm
Newport Beach scene in black and white.
Summer weeds have dried and almost overtaken this fence along the Peavine Trail.
The last few months, I’ve found myself missing blur and soft focus. As a result, my Lensbaby Velvet 56 has been on my camera for the last week, and I’m going to put the Edge 80 (my fave!) on there next. Manual focus is always a challenge, but I find taking soft and dreamy photos is my comfort zone. I love the blur!
When we were staying in Moab, we never really understood what the tepee set up was for and never took the time to find out. Turned into a monochrome, it reminds me of a vintage photo postcard (never mind the fence and the wagon and the lawn. . .).
I know, I know- it almost seems like a crime to take a photo of the beautiful colors of Moab and turn them to black and white. However, I have been playing with something we’ve been talking about in my photo class- using gradient maps to create black and whites- so here we go!
Here is my current favorite cloud photo. I captured this one through the car window as we were driving to Moab; I think we were already in Utah by this point. It reminds me of a giant flying saucer hovering over the road. Can you tell I was a child in the 1950’s?
I sometimes get bored editing landscapes- a little clarity and contrast, maybe a little vibrance, some dodging and burning, some sharpening- and done. Since joining the photo group, I’ve tended to use Nik Color Efex Pro or sometimes Silver Efex (both photoshop plug-ins) to edit my landscapes – because that’s what they all use in class. Now I am trying to use Luminar, because Google, who bought the program, is no longer supporting or updating the older programs. And we all use the TK Actions panel as well.
I decided to try doing a black and white in Luminar- but I ended up having to do a lot more more afterward in Photoshop, because I couldn’t figure out how to get the look I wanted. And when I was done getting the look, I decided I really wanted a color image after all.
Here is the black and white, edited in Lightroom, Luminar, and Photoshop. This was taken in the Matanuska Valley in Alaska.
And here is another view from a slightly different angle (and with a different focal length) of the same scene, edited mostly in Lightroom, with just a little work in Photoshop.
Sometimes you CAN have it both ways!
And now that I see them together, I think I like the black and white better after all. Maybe.
We stopped at a pullout to walk down to the water after we crossed this bridge in Alaska. I was standing there taking photos when another truck pulled onto the gravel- and then surprised me by continuing on through the water to the other side. I started photographing the now distorted reflections – but then along came another truck. Time to leave!