There were other light installations besides the wonderful water towers. Here’s that bejeweled hill again- this time with cacti in the foreground.
The lights continually changed colors, making an ever-changing display.
Here’s what the lights at the bottom of the hill look like up close. Notice that they have changed color!
And last, but not least, here is one of several beautiful hanging light sculptures, which rotated slowly as we walked by:
Sunday night we visited Phoenix’s Desert Botanical Garden for the Sonoran Light exhibit by Bruce Munro. We got there around 5pm, before sunset to see the plants and to preview the installation before it got dark. We stopped for snacks after the sun went down- and then ventured back out on the now dim and crowded garden paths.
This post could easily be titled “Stumbling Around in the Dark.” I have new appreciation for my photo buddy, Carol, of In Focus Daily as she walks along jungle paths at night lugging all her camera gear. At one point I simply lost my balance and fell over! And then there was the problem of attaching my camera to the tripod and adjusting my settings in the dark! Lonnie learned how to work the flashlight on his new iPhone finally which helped- but didn’t save me from accidentally changing from RAW to jpg file format in the dark.
Below are some images of Water Towers, a huge installation of water bottles that lit up and changed color. Using a long exposure was a bit tricky as people continually walked in front of the lens- sometimes not even showing up in the photo. I am not very experienced in night photography, so I just went with the flow- and it was fun!
Here is a view of the general scene- note the lights on the hill in the background!
A closer look:
And even closer:
I’ll be posting more photos from Sonoran Light as the week goes by. By the way- these were all jpgs.
I was somehow compelled to stick a sunflower in with my branches and kind of liked the contrast between the shapes (and of course the lensbaby blur). So here is the result- two ways.
Just a book and a rose. . .
More branches in a jar. This was shot with the Lensbaby Edge 80 again, but then I used an oil painting filter in Topaz Impression and a Flypaper texture after that. Yup- just playing with sticks. . .
I found a couple other shots I took when I was taking my berry still life for my class. These were taken before or after- without a tripod, because I couldn’t get high enough with the tripod. I used a shallow depth of field for fun- and I guess I wasn’t very steady on the stepstool, because these would definitely not pass the sharpness test! I like them anyway.
BTW, my hummingbird passed muster yesterday in my new photo class. I wondered how people (especially the instructor) would respond to the background, which had been edited using Topaz Impression- but they were fine with it. If you read my blog regularly, you’ll recognize this photo from last summer. The only critiques were some thought the little twig under the hummingbird could be cloned out, and one person would have liked a closed beak. One thing I’m learning is that people have differing opinions of each other’s work- and it’s all ok. It’s a very nice group of people, which makes it all easier.
About three weeks ago I was invited to join an advanced photography group here in town. The group is made up of people who have gone through all the photography and photo-editing classes offered at our local college. After their instructor retired, they formed a private group which contracts with the retired instructor to lead the group in their weekly 2 1/2 hour sessions. I got to know a few of the members of this group through AAUW and my photo club, but had no idea that the class they were in was something that would one day be available to me. These people have been studying photography together for years! I have never taken a photography class that wasn’t online. My experiences with being critiqued have been in the photo club- and I’ve never felt quite up to snuff there. But. . . it will be good for me!
Before my first class, I was given an external drive to copy; it was full of videos, mostly on photo-editing. Most (all?) of the students use the Nik Collection to enhance their photoshop editing, so I bought it (I had an old version) and Tony Kuyper’s TKA actions (luminosity masks and more- I had an old version of that as well). I haven’t made a dent in watching the videos; there is only so much my brain can absorb.
I didn’t have much time to prepare for my first class, so I matted and brought a golden hour photo of Willow Lake I took last year. I’m never confident about landscape photography, but I really liked the clouds in that one.
Right off the bat, the instructor said it was “soft”- there wasn’t anything sharp in the photo (and he was right. . .). I’m not sure why I didn’t check it for sharpness, before I printed it. I KNOW that in photography, especially traditional photography, sharpness is the first requirement.
And the work of the other students was sharp, of course, and also very professional and creative. It’s going to be a steep learning curve for me!
For my second week, I took a new photo- a still life, somewhat of a comfort zone for me. It is not my usual style- I attempted to get EVERYTHING in focus- no dreamy, shallow depth of field! I needed to establish some credibility after my disastrous first attempt.
This simple still life has AT LEAST 20 layers of work done in photoshop! Massive amounts of cloning and dodging and burning- and special work in Nik Color Efex Pro and Viveza. It was generally very well-received- it is sharp (but the instructor did say it needed extra sharpening for print. . .). The criticisms (from the teacher and class members) were that the reflection was confusing and the bottom of the photo too dark and also confusing. Some said I should have extended the reflection through cloning. I think the consensus was I should have cropped off the part where the black top meets the wood on the bottom (I had considered that). Also, the silver cups behind the glass are confusing- or maybe the etching on the glass is. I should have mentioned that my Photoshop file was projected on a big screen, and then they went through it layer by layer, evaluating what I did. I am learning to look at my photos very closely- zoomed in.
I am definitely out of my comfort zone in this group- but I am really enjoying it! It is fascinating to see what others choose to shoot and how- and how they edit their work. I used split toning in my first effort- and no one else had EVER used it- including the teacher! Someone else commented on my use of blend modes- like it was unusual. Very few spend much time in Lightroom- a few steps and on to Photoshop! So I am going to definitely be learning a whole new way of approaching things. My intention is to learn all these techniques and see how I can incorporate them into my own style. I have learned that I really like the Nik products and am using them frequently now in my regular Photoshop editing.
I did find the need to get away from SHARPNESS to go off into the land of blur with my Lensbaby this week (see yesterday’s photo)- so my blog may look a bit schizophrenic over the next few months. This week I’m bringing an old (sharp, I hope) photo of a hummingbird that I have re-edited. We’ll see what happens. . .
“I prefer winter and fall, when you feel the bone structure of the landscape.
Something waits beneath it; the whole story doesn’t show.”
– Andrew Wyeth
I had some fun with the edit on this iris photo. I took it into Topaz Impression twice (two different layers in Photoshop) and added a texture as well. This is therapy for me!
Last week’s snow even caught in the dried weeds on our covered front porch.
Lest you think after yesterday’s post that my genealogy research consists of neatly organized and photo-worthy little objects, I’m posting some photos today of what I’m actually DOING these days in genealogy. After 20 years of researching obsessively- and 5 more years of slipshod sporadic research- I ended up with piles and files of papers and a computer database full of information- and not much to show for it all. I’m not getting any younger, so I decided it’s time to put my papers (and computer files) in order so that my descendants can make sense of it all- and perhaps make a few photo books.
Easier said than done.
Being an only child has its benefits and drawbacks. I have SO MUCH STUFF! And it falls to me to organize it all. In the background you can see just one of several big tubs of photos and family papers- and my new little portable scanner that I just love. I can actually scan photos while watching TV! The photo on top of the stack is of my father- one of a zillion I inherited (not all as cute as this one). What to do with them all???
Below is a project that I am so proud to have made headway on in the last month. I’m following a system of organizing and color-coding my genealogy paper files that makes finding things so much easier- especially for family members that may inherit these papers someday. These files still take up the same amount of space (two very full, deep file drawers in the garage), but I don’t feel so overwhelmed when I look at them now. Each color represents the family line of one of my grandparents- and I’ve done the same for Lonnie’s family. The yellow files actually take up more room than any other color and continue on into the next drawer. These are my New England forebears and my elusive Canadian Peaslees (lots of research but no definitive answers yet on that line).
Now that the files are organized by color, I am working on one branch at a time, mostly just up to my great-great grandparents. I’m checking sources, organizing digital media, writing bios for those that don’t have them- and noting what is missing in the files. I’m working in a very limited and structured way, so that I don’t go off on tangents. I am taking a break from researching in order to organize what I have. And it looks like it could take a few years. . .
My resolve has already been tested this week by the discovery by a distant cousin of the parents of one of my three most challenging ancestors (Lonnie’s great-great grandmother, Lucy Crump). After some screaming and jumping up and down, I noted the information and passed it on to another researcher- and am now trying to ignore the barrage of emails coming my way with more leads. Genealogy can be lots of fun when information just falls in your lap!
When I was a little girl, I was fascinated with the antique gold pencil that was kept in the chest that held the good silver. My mother said it belonged to a great-great grandmother, but that I was not named after her- which was obvious to me, because Melinda was SPELLED WRONG! My mother was not particularly interested in family history, but I was, even at a young age. I wondered who that Malinda could be (and why her named was spelled wrong).
Of course, I didn’t realize at that time that variations in spelling are the norm rather than the exception in genealogy- as are inaccurate family stories. When I started doing genealogical research, I discovered that Malinda Tucker was actually the second wife of my great-great grandfather, Luther Bean, whom he married after my great-great grandmother died. My mother’s mother would turn out to be Luther’s only heir after her aunt died, so we have quite a few of his things.
As you can see by examining the photo, he was in the Civil War as a surgeon. He grew up in New Hampshire, and he and my great-great grandmother, came from a long line of New Englanders- going all the way back to the early colonists (right AFTER the Mayflower). Later in life he moved to Waukegan, Illinois, where he continued to practice medicine.
Another inaccurate (I think) family story was that I had a great-grandfather who was in the battle of the Monitor vs the Merrimack, which I learned about in school. I remember being proud to tell my sixth grade class all about it- minus the name of this mysterious great-grandfather. I have searched and have yet to find him, the most likely candidate being Luther- but there is no record of this in his service record that I can find. This story may be as false as the story that my husband’s grandfather was “half Indian”- and his mother grew up on a reservation in Oklahoma. Wrong!
Oh- about the spelling of Malinda/Melinda– on her gravestone, her name is spelled with an E, like mine!
Photography note: the gold lines under the pencil in the top photo are reflections.
The combination of bright sunshine and freezing temperatures what irresistible to me on our Thanksgiving trip to Yellowstone. I guess I should get my favorite shots posted before spring comes!
What can I say?- I am in the mood for BLUR!
These photos were shot with the Lensbaby Velvet 56; the resulting softness was further emphasized by editing with Topaz Impression.
This tiny apple had escaped my notice until the other day when I was outside looking for something to photograph. The icy wind from Sunday night’s storm had stripped the apple tree of leaves, so that all that remains is this little apple, a storm survivor.
melinda anderson photography 