for Halloween . . .
Intention has continued to be a hot topic of discussion with my photo group this week. I think shooting flowers with intention is perhaps not what we all had in mind, but, since I was taking photos of gerbera daisies, that was where I practiced. I did not make a list of words as was suggested, but I did have the words nostalgia and vintage in mind when I shot and edited this photo. Looking at it afterward, I realize I should/could have used a vintage container for the flowers- but I was thinking simple too, I guess. As usual, I did stray in my other flower photos (you’ll see another shot tomorrow)- so I’m not sure this is the best method for me.
A cowboy (or western) still life is the latest assignment for our photo class. I have no idea what he expects, so I gathered together some items we have in the house and garage, bought some horseshoes, and took the photo. It will be interesting to see what creative ideas my classmates come up with!
My beautiful Valentine’s Day tulips are fading, so I took the time to trim stems and take a few Lensbaby shots.
I’m playing it safe this time- just a traditional still life. Although- I know that in my photo group I would get (gently) critiqued for having a square format and mostly for having no space around the edges- and perhaps for the shallowish depth of field! I might even get the kiss of death comment- “It would make a nice greeting card.” But I’m on winter break!
Another photo of yesterday’s pear- a little more abstract this time.
The theme for my AAUW photo group today is Locks and Keys. I selected several past images of padlocks to bring, but then I decided that, since I wanted to play with my Lensbaby Edge 80, I would take a couple photos of keys to bring as well.
After taking a few shots of keys spread out in different configurations, a small branch I have on my shelf of props caught my eye. I ended up hanging keys on twigs, and came up with these two images:
When I was all finished shooting, I combined two other images in camera, which I then converted to a split toned black and white in Lightroom. What looks like an added texture is actually the garage floor!
I may have to actually throw these away soon. . .
These beautiful flowers stopped me dead in my tracks as my friend, Carol and I entered the restaurant where we had lunch in San Francisco. We both ended up taking a few photos- the flowers were so gorgeous! We ended up photographing them from different angles- and edited them in ways that were opposite from each other, as well as opposite of our usual styles. Carol’s photo is an impressionistic rendering- and mine is more of a standard photo, edited for clarity. It’s as if we switched styles!
It is feeling so good to get back to doing a little still life photography! Now that the house is no longer torn up, I have some space and time to set up some stills. I’ve been especially eager to try out a birthday present I got from my friend, Debbie- a vintage window! It’s been piled in the garage with everything else, but now I can get to it, along with some of my other still life props that were covered up.
I propped up the window on a table outside in the 95 degree heat and had a great time composing this image. I edited it using Kim Klassen’s darkday preset (desaturation, a matte tone curve, and split toning, among other adjustments).
As usual, I couldn’t leave well enough alone, so I took it into Photoshop and Topaz Impression for a painterly look.
Here’s another Topaz Impression version- a new one called Wispy Sketch. Love this!
It was too hot to create any more still life vignettes- but look for this window in the future! Thanks, Debbie!
You may remember my series of chair photos from last year- some including this hat. Well, the bunch of chamomile I picked up at Trader Joe’s put me in the mood again- so here’s another in the series, this time in black and white.
This week, my little photo group is meeting to discuss photography and share photos. We took photos this time that have some aspect(s) of the principles of wabi-sabi. Here are three of my photos that celebrate imperfection and the passage of time.
Just ordinary stuff- some frayed dishtowels, a basket detail, and my childhood cereal bowl and creamer:
My little AAUW photo group had the assignment last week of photographing a subject in different ways, from different angles, and/or edited different ways. I had a busy week so allowed about a half hour for shooting and a half hour for editing- I almost made it. I used my 35 mm for 3 shots and switched to my 85mm macro for the other 2. I quickly edited all in Lightroom and then added textures to two in Photoshop- all on schedule. But I was in such a hurry and so out of patience that I kept messing up the collage in the Lightroom Print Module. I threw up my hands and sent them all to my phone where I made a quick layout in Pic Collage, which added only about 5 minutes to my allotted time. When I picked up my print at Costco, I realized that I had sent the wrong photo to my phone for the middle one on the left- it was unedited! And so it was. . .
I added a bit of contrast, clarity, and sharpening to that unedited part of the collage before uploading to my blog- so it looks a little better (no, I did not re-make the whole collage!).
This is what can happen as you arrange flowers for still life photography. . .
I was somehow compelled to stick a sunflower in with my branches and kind of liked the contrast between the shapes (and of course the lensbaby blur). So here is the result- two ways.