Lonnie and I came upon this wedding party as we were walking around the Courthouse Square. The photographer had the bride posing on the courthouse steps, but as we got closer the happy couple walked away. As we continued our walk, we came upon them posing again and I managed to take three shots, two of the couple and one of the photographer- my lens wasn’t wide enough to get them into one frame. I merged one of the couple and the one of the photographer into a panorama. I liked the combination of the happy bride and groom in the midst of a typical scene at the square- such a contrast!
This one’s from the archives- the same San Francisco trip where my last blog photo was taken- but I still may use it for my assignment if I don’t take anything else appropriate. This was a street musician down at Fisherman’s Wharf- and the crowd of oblivious, unappreciative passersby. Just a basic edit and black and white conversion- would love to crop it a little on the right. . .
I’m not sure this qualifies as street photography, because I was standing in the entrance of a building in San Francisco (with my photography buddy, Carol) shooting through the gorgeous lobby and focusing on the Bay Bridge through the windows at the end. It was Carol’s idea to wait for someone in red to come by to make the shot- and she did! I am happy to say that there was no cropping or cloning- just a little work on exposure and then a black and white conversion. The garbage cans (always a no-no) remain for journalistic integrity!
But where is the girl in the red shirt? You have to look at the color version!
A quiet scene from the Anchorage Market
I was thinking of using this shot for one of our photo group assignments, even though it was shot during the summer. The assignment is “editorial” or “street photography.” There are RULES (I hate rules): minimal editing (no trash can removal etc.)- just a black and white conversion. So the color version is my more edited version (straightened and cropped, no cloning- but added tonal contrast etc. in Nik).
My black and white version is the original crop (yuck), edited in Nik Silver Efex, also contrast and with the Ilford film type (not sure if that much editing is allowed). I think I will be heading out to the streets again to try to get it right in camera- but not to Alaska, unfortunately.