Our photo group “final” was last week, one of the two topics being “Impressionism”. Since our irises are in bloom, I chose to create an impressionist image. I used intentional camera movement layered with a standard shot and some brushwork and a texture to give it a painterly quality. I’m delighted to have a camera, warm weather, and flowers in bloom as an excuse to sit in the backyard for hours at a time.
I just finished reading the deep, dark, soulful Migrations by Charlotte McConaghy for our book group. There is beautiful, evocative writing, an intriguing plot, some romance and tragedy- all within the framework of the last migration of arctic terns in a time when climate change has wreaked havoc on the animal kingdom. I didn’t set out to create this image in response to what I read, but the subconscious is an amazing thing. And I highly recommend the book!
This was taken during our stay at Between Beaches on the MacDonald Spit on Kachemak Bay in Alaska. We had beaches in front of and behind our cabin- Kachemak Bay in front, Kasitsna Bay behind. Watching the gulls fly low over the dark waters of Kasitsna Bay in the mornings and evenings gave me a perfect opportunity to practice intentional camera movement techniques to create impressionistic images.
I was happy to hear at my camera club’s online meeting last night that this image won second place in this month’s Open Subject competition. It’s always nice to hear when other people like your art.
Spending time photographing gulls swooping over the dark waters of Kasitsna Bay was one of the great pleasures of my Alaska trip.
I have spent perhaps 4 days editing the photo I’m using for the final in my photo group. It is sharp, sharp, sharp- but, other than that, the project was pretty much a disaster. The editing time was basically spent trying to make a silk purse out of a sow’s ear. More cloning than anyone should have to do in their entire life! I am hoping the result is adequate. No, I’m not yet posting it.
To recover, I spent an hour in the land of blur, producing some ICM images- abstract or impressionist landscapes, I’ve discovered they are called- achieved by long exposures and camera wiggling.
Here are two edits of my across the street view. I think the black and white looks like an ocean view.
Last week, Lonnie read a feature in our local paper about the beautiful fall color to be found at in Watson Woods, the riparian preserve by Watson Lake, only a mile or two from our house. We drive by it every day, so we decided to go over there and see what we could see.
The photo below shows one of the first scenes to catch my eye- what photographer can resist reflections?
Here’s another version of the same scene- with intentional camera movement for an impressionistic view.
We walked until the mid afternoon heat started to catch up with me (why was I wearing long sleeves and a vest?), and then we stopped to soak in the atmosphere before walking back to the car.